In music, a radio edit is a modification to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version.

Contents

Editing for time [link]

Radio edits often shorten a lengthen a song to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse.

Some songs will be remixed heavily and feature different arrangements than the original longer versions, occasionally even being completely different recordings. A popular example of this would be "Revolution" by The Beatles which is a completely different recording than the version which appears on The White Album. This also became more prevalent with the rise of the 12" record, as artists like New Order started making songs specifically for the format. Many of the 7" mixes aimed for pop radio airplay of their songs feature very different arrangements, such as "Bizarre Love Triangle", or even a completely different recording, such as "Temptation".

Occasionally, very long songs do not have a radio edit, despite being as long as six or seven minutes in length. Famous examples of these include "Vicarious" (2006) by Tool at 7 minutes and 6 seconds, "Hey Jude" (1968) by The Beatles at 7 minutes and 11 seconds long, "Stairway to Heaven" (1971) by Led Zeppelin at 8 minutes and 3 seconds, "The Message" (1982) by Grandmaster Flash and the Furious Five at 7 minutes and 10 seconds, "One" (1989) by Metallica at 7 minutes and 24 seconds, and "American Pie" by Don McLean with a length of 8 minutes and 32 seconds. Ying Yang Twins' "Georgia Dome" has a radio edit removing profanity, but at the same length (6 minutes 6 seconds) as the album version. Occasionally, due to popular demand, the longer version of a song will be played over the shorter version, such as "Like a Rolling Stone" by Bob Dylan, which was released on a 7" single featuring the first two verses on side 1 and the rest of the song on side 2. Due to the popularity of the song, radio stations started playing the full version to meet their listeners' demand.

On rare occasions, a radio edit might be longer than the original album version. This may occur when the song is edited for form, such as "Miserable" by Lit, in which the radio edit adds the chorus between the first and second verse.

Editing for content [link]

Radio edits often come with any necessary censorship done to conform to decency standards imposed by government agencies, such as the Federal Communications Commission in the United States, the Canadian Radio-television and Telecommunications Commission in Canada, and Ofcom in the United Kingdom. The offending words may be silenced, reversed, or replaced/distorted by a sound effect. Occasionally, the song may be re-recorded with different lyrics, ranging from just the replacement of one line being re-recorded, like James Blunt's "You're Beautiful," which replaces "fucking high" with "flying high" in the second verse, to the entire song be completely changed, such as D12's "Purple Hills", which replaces profanity, drug references, and other inappropriate lyrics from the original "Purple Pills". Another example of the first type (one-line replacement) is The Black Eyed Peas song "Let's Get It Started", whose original title was "Let's Get Retarded" but was changed to make it suitable for radio play. Sean Kingston's "Beautiful Girls", in some radio edits, changed "You got me suicidal" to "in denial". The whole chorus of Cee Lo Green's "Fuck You" substituted the word "Fuck" with "Forget", thus changing the title to "Forget You" on the radio edit. Radio edits may have more words edited than the "clean version", because of the stations' or agencies' standards. An "amended" radio edit which only removes the major profanities while keeping the small profanities can be produced for some stations that allow small profanities (e.g. "You're Going Down" by Sick Puppies and "Bad Girlfriend" by Theory of a Deadman) whereas a "dirty" radio edit preserving the offensive language but maintaining the shorter play time may be produced, which may be aimed at club play, post-watershed radio, and non-terrestrial radio stations. Kid Rock wrote the term "radio edit" into two of his songs, both of which are the same on radio and album versions.

Other terms [link]

Other terms for a "radio edit"

  • "Album edit" (Sometimes a different version from the 'radio edit')
  • "LP edit"
  • "Radio mix"
  • "Radio version"
  • "Single version" or "soundtrack version" (Typically used to reference singles taken from soundtracks, or lead singles from an album)
  • Single edit (Shortened version of a single version typically)
  • "Main version" (Can also be the album version but typical is the radio formatted version)
  • "Main edit" (If the "main version" is the album version, "main edit" is typically the radio edit)

On occasions when songs have been completely re-worked or the instrumental arrangements have been changed slightly, the radio edit can be labeled in print with the remixer's name (e.g. Celine Dion's 2002 single of "I'm Alive", the radio version was referred to as the 'Humberto Gatica Radio Mix') rather than just "Radio Edit".

See also [link]

References [link]

External links [link]


https://wn.com/Radio_edit

-ol

The suffix –ol is used in organic chemistry to form names of organic compounds containing the –OH group: see alcohol. It was extracted from the word alcohol.

References

  • International Union of Pure and Applied Chemistry, Commission on Nomenclature of Organic Chemistry (1993). Panico R, Powell WH, Richer JC, ed. A guide to IUPAC nomenclature of organic compounds: recommendations 1993. Oxford: Blackwell Scientific Publications. ISBN 0-632-03702-4. 
  • Olší (Brno-Country District)

    Olší is a village and municipality (obec) in Brno-Country District in the South Moravian Region of the Czech Republic.

    The municipality covers an area of 8.71 square kilometres (3.36 sq mi), and has a population of 282 (as at 3 July 2006).

    Olší lies approximately 35 kilometres (22 mi) north-west of Brno and 154 km (96 mi) south-east of Prague.

    References

  • Czech Statistical Office: Municipalities of Brno-Country District
  • 2008 Summer Olympics

    The 2008 Summer Olympic Games, officially known as the Games of the XXIX Olympiad (Chinese: 第二十九届夏季奥林匹克运动会; pinyin: Dì Èrshíjiǔ Jiè Xiàjì Àolínpǐkè Yùndònghuì) and commonly known as Beijing 2008, was a major international multi-sport event that took place in Beijing, China, from 8 to 24 August 2008. A total of 10,942 athletes from 204 National Olympic Committees (NOCs) competed in 28 sports and 302 events (a total of one event more than the schedule of the 2004 Games). China became the 22nd nation to host the Olympic Games and the 18th to hold a Summer Olympic Games. It was the third time that the Summer Olympic Games were held in Asia, after Tokyo, Japan, in 1964 and Seoul, South Korea, in 1988. This was the second time the Summer Olympic Games were staged in a socialist country, after the 1980 Olympics in the Soviet Union.

    The equestrian events were held in Hong Kong, making it the third time the events of the same Olympics were held under the jurisdiction of two different NOCs, while sailing was contested in Qingdao, and football events took place in several different cities.

    Born to Die (Lana Del Rey album)

    Born to Die is the second studio album and major-label debut by American singer and songwriter Lana Del Rey. It was released on January 27, 2012 by Interscope Records, Polydor Records, and Stranger Records. Del Rey collaborated with producers including Patrik Berger, Jeff Bhasker, Chris Braide, Emile Haynie, Justin Parker, Rick Nowels, Robopop, and Al Shux to achieve her desired sound. Their efforts resulted in a primarily baroque pop record, which sees additional influences from alternative hip hop, indie pop and trip hop music.

    Contemporary music critics were divided in their opinions of Born to Die; some commended its distinctive production, while its repetitiveness and melodramatic tendencies were a recurring complaint. The record debuted at number two on the U.S. Billboard 200 with first-week sales of 77,000 copies; it was later certified platinum by the Recording Industry Association of America (RIAA) after moving one million units. Born to Die reached the peak position on eleven international record charts, and has sold 8.5 million copies worldwide as of May 2015.

    Radio (Darius Rucker song)

    "Radio" is a song co-written and recorded by American country music artist Darius Rucker. It was released on July 22, 2013 as the third single from his album True Believers. Rucker wrote the song with Luke Laird and Ashley Gorley.

    Content

    The song is a reflection on the narrator's teenage years: specifically, of borrowing his mother's car to take his girlfriend for a ride, and listening to songs on the radio while doing so.

    Critical reception

    The song generally received favorable reviews. Bobby Peacock of Roughstock gave the song four and a half stars out of five, saying that "it sounds like the kind of fun song you would want to hear on the radio at a memorable moment." Peacock praised Rucker's "all-smiles delivery" and the song's "incredibly catchy melody and tight production." He also compared its theme to "I Watched It All (On My Radio)" by Lionel Cartwright. Tammy Ragusa of Country Weekly gave the song an A grade, calling it "the perfect marriage of an artist’s effervescent personality with an upbeat song, this one about the love of music." Billy Dukes of Taste of Country gave the song two and a half stars out of five, writing that "the uptempo tribute to young love, open roads and, of course, the radio is familiar and easy to fall for, especially when powered by Rucker’s unequaled exuberance." However, Dukes also called the song "a little fluffy" and "not difficult to forget."

    Radio (Robbie Williams song)

    "Radio" is a song by British pop singer Robbie Williams. It was the first single from his hits compilation Greatest Hits, released in 2004. The video includes tattooed cheerleaders in masks doing flips, Williams being fawned over as a snake emerges from his trousers, and Williams' eyes morphing into lizard eyes. The song also features robo-type music.

    Chart success

    "Radio" became Williams' sixth number one single in the UK Singles Chart, selling 41,734 in its first week. To date the song has sold 100,000 copies in the UK. The song also topped the charts in Portugal and Denmark and reached the top ten across Europe and Latin America. In Australia, the single charted at number-twelve and after seven weeks on the charts, the single was certified Gold.

    The song was Williams's last UK number-one for eight years until "Candy" took the top spot in November 2012.

    Track listing

  • "Radio" – 3:52
  • "Radio" (Maloney Mix) – 5:41
  • "Radio" – 3:52
  • "Northern Town" – 4:02
  • "Radio" (Sam La More Jumpin' Radio Mix) – 4:47
  • Podcasts:

    PLAYLIST TIME:

    Radio Edit

    by: Justin Timberlake

    Hey girl, is he everything you wanted in a man
    You know I gave you the world
    You had me in the palm of your hand
    So why your love went away
    I just can't seem to understand
    Thought it was me and you babe
    Me and you until the end
    But I guess I was wrong
    Don't want to think about her
    Don't want to talk about her
    I'm just so sick about her
    Can't believe it's ending this way
    Just so confused about her
    Feeling the blues about her
    I just can't do without ya
    Tell me is this fair?
    Is this the way it's really going down?
    Is this how we say goodbye?
    Should've known better when you came around
    That you were gonna make me cry
    It's breaking my heart to watch you run around
    'Cause I know that you're living a lie
    That's okay baby 'cause in time you will find...
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    Now girl, I remember everything that you claimed
    You said that you were moving on now
    And maybe I should do the same
    Funny thing about that is
    I was ready to give you my name
    Thought it was me and you, babe
    And now, it's all just a shame
    And I guess I was wrong
    Don't want to think about her
    Don't want to talk about her
    I'm just so sick about her
    Can't believe it's ending this way
    Just so confused about her
    Feeling the blues about her
    I just can't do without ya
    Can you tell me is this fair?
    Is this the way its really going down?
    Is this how we say goodbye?
    Should've known better when you came around (should've known better that you were gonna make me cry)
    That you were going to make me cry
    Now it's breaking my heart to watch you run around
    'Cause I know that you're living a lie
    That's okay baby 'cause in time you will find
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around comes around
    Yeah
    What goes around comes around
    You should know that
    What goes around comes around
    Yeah
    What goes around comes around
    You should know that
    Don't want to think about it (no)
    Don't want to talk about it
    I'm just so sick about it
    Can't believe it's ending this way
    Just so confused about it
    Feeling the blues about it (yeah)
    I just can't do without ya
    Tell me is this fair?
    Is this the way things are going down?
    Is this how we say goodbye?
    Should've known better when you came around (should've known better that you were gonna make me cry)
    That you were going to make me cry
    Now it's breaking my heart to watch you run around
    'Cause I know that you're living a lie
    But that's okay baby 'cause in time you will find
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    [Comes Around interlude:]
    Let me paint this picture for you, baby
    You spend your nights alone
    And he never comes home
    And every time you call him
    All you get's a busy tone
    I heard you found out
    That he's doing to you
    What you did to me
    Ain't that the way it goes
    When You cheated girl
    My heart bleeded girl
    So it goes without saying that you left me feeling hurt
    Just a classic case
    A scenario
    Tale as old as time
    Girl you got what you deserved
    And now you want somebody
    To cure the lonely nights
    You wish you had somebody
    That could come and make it right
    But girl I ain't somebody with a lot of sympathy
    You'll see
    (What goes around comes back around)
    I thought I told ya, hey
    (What goes around comes back around)
    I thought I told ya, hey
    (What goes around comes back around)
    I thought I told ya, hey
    (What goes around comes back around)
    I thought I told ya, hey
    See?
    You should've listened to me, baby
    Yeah, yeah, yeah, yeah
    Because
    (What goes around comes back around)




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